What it contains
Theoretical framework and case studies
The evolution of photography from document to language, the transition towards digital and generative art, the human–algorithm relationship in the artistic process, and the ethics of the image in the age of artificial intelligence — illustrated through case studies and personal artistic practice.
Why this book
The image is no longer neutral
We live in a world in which reality can be simulated, and photography is no longer evidence, but construction. The book proposes a framework for understanding this transformation — an analytical instrument for artist, curator, and researcher.
For whom
Artists, researchers, curators
For visual artists, photographers, students, and researchers interested in the new forms of the image. For those who wish to understand not only how the image is created, but what it means in the contemporary context.